Description

Composed by Aneesh Pradhan, this track begins with the ubiquitous cycle of eight counts, but introduces variations through different instruments and changing rhythmic patterns. The pakhawaj and the tabla play a taal or rhythmic cycle that is popular with the religious music practised by the Warkari sect from Maharashtra. But gradually this moves through several twists and turns to a cycle of nine counts.

This track is also available in the album Tarana-e-Percussion.